Few things are more critical than hearing the Word. A service that fails to communicate and inspire will not keep its congregation for long. In this valuable new eBook, series authors Rik Kirby and Daniel Keller help you make a sound decision when it comes to an integrated audio system for your church.
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What defines good sound? While some might argue that the concept is subjective, there are certain aspects of a good sound system that we can all agree on. Spoken word should be intelligible. Musical performance should be clear and full-range. And sound should be consistent, everywhere in the house.
Of course, addressing these goals will vary widely from one church to another. Are you welcoming your flock in a 1,000-seat sanctuary? Clearly, your needs will differ from a congregation meeting in a 300-seat chapel, an auditorium, or a converted warehouse space.
Did you know that one in five people in your congregation can’t hear the inspiring words and music that are shared each week in your house of worship? Ultimately, this leaves them feeling disconnected from the community. Many of these congregants have hearing aids — but hearing aids are made to work in up-close, face-to-face conversations; often, they don’t work in large spaces with ambient noise. Fortunately, assistive listening systems can help these congregants feel more connected by solving issues of distance, ambient noise and hearing loss.To help get you started in your church, Listen Technologies is hosting a special event on Tuesday, January 27, 2015 from 2 p.m. to 4 p.m.
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The cancellation or reinforcement in various sound frequency ranges is a function of the distance from the sound source to the room walls.
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How one church (successfully) updated its technology and improved the worship experience.
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By Lisa Young The main auditorium at Naz Church in Grove City, OH, seats about 2,800 and has a congregation of 3,000. The church recently installed two Yamaha CL Series Digital Audio Consoles — a CL5 at front of house and a CL1 at monitors — as well as eight Rio input/output boxes: two Rio3224-D, […]
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By Nick Colleran and Jim DeGrandis The No. 1 cause of poor sound in a large space is inappropriate reverb time, or RT60 — the time it takes for sound to fully decay, 60 decibels down, from its initial impact. While a large, open hall might enhance a traditional choir and blend or average pitch, […]
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